Date: 0101-01-01T00:00:00+00:00
Keywords: Poetry; Year 10

Selected Poems
of

Walt Whitman

1819-1892

1
I Hear America Singing

I hear America singing, the varied carols I hear,

Those of mechanics, each one singing his as it would be blithe and strong,

The carpenter singing his as he measures his plank or beam,

The mason singing his as he makes ready for work, or leaves off work,

The boatman singing what belongs to him in his boat, the deckhand singing on the steamboat deck,

The shoemaker singing as he sits on his bench, the hatter singing as he stands,

The woodcutter’s song, the ploughboy’s on his way in the morning, or at noon intermission or at sundown,

The delicious singing of the mother, or of the young wife at work, or of the girl sewing or washing,

Each singing what belongs to him or her and to none else,

The day what belongs to the day—at night the party of young fellows, robust, friendly,

Singing with open mouths their strong melodious songs.

2
To a Locomotive in Winter

Thee for my recitative,

Thee in the driving storm even as now, the snow, the winter-day declining,

Thee in thy panoply, thy measur’d dual throbbing and thy beat convulsive,

Thy black cylindric body, golden brass and silvery steel,

Thy ponderous side-bars, parallel and connecting rods, gyrating, shuttling at thy sides,

Thy metrical, now swelling pant and roar, now tapering in the distance,

Thy great protruding headlight fix’d in front,

Thy long, pale, floating vapor-pennants, tinged with delicate purple,

The dense and murky clouds out-belching from thy smoke-stack.

Thy knitted frame, thy springs and valves, the tremulous twinkle of thy wheels,

Thy train of cars behind, obedient, merrily following,

Through gale or calm, now swift, now slack, yet steadily careening;

Type of the modern—emblem of motion and power—pulse of the continent,

For once come serve the Muse and merge in verse, even as here I see thee,

With storm and buffeting gusts of wind and falling snow,

By day thy warning ringing bell to sound its notes,

By night thy silent signal lamps to swing.

Fierce-throated beauty!

Roll through my chant with all thy lawless music, thy swinging lamps at night,

Thy madly-whistled laughter, echoing, rumbling like an earthquake, rousing all,

Law of thyself complete, thine old track firmly holding,

(No sweetness debonair of tearful harp or glib piano thine,)

Thy trills and shrieks by rocks and hills return’d,

Launch’d o’er the praries wide, across the lakes,

To the free skies unpent and glad and strong.

3
Aboard at a Ship’s Helm

Aboard at a ship’s helm,

A young steersman steering with care.

Through fog on a sea-coast dolefully ringing,

An ocean bell-O a warning bell, rock’d by the waves.

O you give good notice indeed, you bell by the sea-reefs ringing,

Ringing, ringing, to warn the ship from its wreck-place.

For as on the alert O steersman, you mind the loud admonition,

The bows turn, the frightened ship tacking speeds away under her gray sails,

The beautiful and noble ship with all her precious wealth speeds away gayly and safe.

But O the ship, the immortal ship! O ship aboard the ship!

Ship of the body, ship of the soul, voyaging, voyaging, voyaging.

4
When I Heard the Learn’d Astronomer

When I heard the learn’d astronomer,

When the proofs, the figures, were ranged in columns before me,

When I was shown the charts, the diagrams, to add, divide, and measure them,

When I sitting heard the learned astronomer where he lectured with much applause in the lecture room,

How soon unaccountable I became tired and sick,

Till rising and gliding out I wander’d off by myself,

In the mystical moist night-air, and from time to time,

Look’d up in perfect silence at the stars.

5
A Clear Midnight

This is the hour, O soul, thy free flight into the wordless,

Away from books, away from art, the day erased, the lesson done,

Thee fully forth emerging, silent, gazing, pondering the themes thou lovest best:

Night, sleep, death, and the stars.

6
A Noiseless Patient Spider

A noiseless patient spider,

I mark’d where on a little promontory it stood isolated,

Mark’d how to explore the vacant, vast surrounding,

It launched forth filament, filament, filament, out of itself.

Ever unreeling them, ever tirelessly speeding them.

And you O my soul where you stand,

Surrounded, detatched, in measureless oceans of space,

Ceaselessly musing, venturing, throwing, seeking the spheres to connect them.

Till the bridge you will need be form’d, till the ductile anchor hold,

Till the gossamer thread you fling catch somewhere, O my soul.

7
Miracles

Why, who makes much of a miracle?

As to me, I know of nothing else but miracles,

Whether I walk the streets of Manhattan,

Or dart my sight over the roofs of houses toward the sky,

Or wade with naked feet along the beach just in the edge of the water,

Or stand under trees in the woods,

Or talk by day with anyone I love, or sleep in the bed at night with anyone I love,

Or sit at table at dinner with the rest,

Or look at strangers opposite me riding in the car,

Or watch honey bees busy around the hive of a summer forenoon,

Or animals feeding in the fields,

Or birds, or the wonderfulness of insects in the air,

Or the wonderfulness of the sundown, or of stars shining so quiet and bright,

Or the exquisite delicate thin curve of the new moon in spring;

These with the rest, one and all, are to me miracles,

The whole referring, yet each distinct and in its place.

To me every hour of the light and dark is a miracle,

Every cubic inch of space is a miracle,

Every square yard of the surface of the earth is spread with the same,

Every foot of the interior swarms with the same.

To me the sea is a continual miracle,

The fishes that swim—the rocks—the motion of the waves—the ships with the men in them,

What stranger miracles are there?

8
The Dalliance of the Eagles

Skirting the river road, (my forenoon walk, my rest,)

Skyward in air a sudden muffled sound, the dalliance of the eagles,

The rushing amorous contact high in space together,

The clinching interlocking claws, a living, fierce, gyrating wheel,

Four beating wings, two beaks, a swirling mass tight grappling,

In tumbling turning clustering loops, straight downward falling

Till o’er the river pois’d, the twain yet one, a moment’s lull,

A motionless still balance in the air, then parting, talons loosing,

Upward again on slow-firm pinions slanting, their separate diverse flight,

She hers, he his, pursuing.

[The following poems are about the Civil War; the first four atre from the book Drum-Taps, which was eventually incorporated into the book Leaves of Grass, and the last three are about Lincoln.]

9
Beat! Beat! Drums!

Beat! beat! drums!—blow! bugles! blow!

Through the windows—through doors—burst like a ruthless force,

Into the solemn church, and scatter the congregation,

Into the school where the scholar is studying;

Leave not the bridegroom quiet—no happiness must he have now with his bride,

Nor the peaceful farmer any peace, ploughing his field or gathering his grain,

So fierce you whirr and pound you drums—so shrill you bugles blow.

Beat! beat! drums!—blow! bugles! blow!

Over the traffic of cities—over the rumble of wheels in the streets;

Are beds prepared for sleepers at night in the houses?

no sleepers must sleep in those beds,

No bargainers bargains by day—no brokers or speculators—
would they continue?

Would the talkers be talking? would the singer attempt to sing?

Would the lawyer rise in the court to state his case before the judge?

Then rattle quicker, heavier drums—you bugles wilder blow.

Beat! beat! drums!—blow! bugles! blow!

Make no parley—stop for no expostulation,

Mind not the timid—mind not the weeper or prayer,

Mind not the old man beseeching the young man,

Let not the child’s voice be heard, nor the mother’s entreaties,

Make even the trestles to shake the dead where they lie awaiting the hearses,

So strong you thump O terrible drums—so loud you bugles blow.

10
Cavalry Crossing a Ford

A line in long array where they wind betwixt green islands,

They take a serpentine course, their arms flash in the sun—hark to the musical clank,

Behold the silvery river, in it the splashing horses loitering stop to drink,

Behold the brown-faced men, each group, each person a picture, the negligent rest on the saddles,

Some emerge on the opposite bank, others are just entering the ford—while,

Scarlet and blue and snowy white,

The guidon flags flutter gayly in the wind.

11
Bivouac on a Mountain Side

I see before me now a traveling army halting,

Below a fertile valley spread, with barns and the orchards of summer,

Behind, the terraced sides of a mountain, abrupt, in places rising high,

Broken, with rocks, with clinging cedars, with tall shapes dingily seen,

The numerous camp-fires scatter’d near and far, some away up on the mountain,

The shadowy forms of men and horses, looming, large-sized, flickering,

And over all the sky—the sky! far, far out of reach, Studded, breaking out, the eternal stars.

12
By the Bivouac’s Fitful Flame

By the bivouac’s fitful flame

A procession winding around me, solemn and sweet and slow—but first I note,

The tents of the sleeping army, the fields’ and the woods’ dim outline,

The darkness lit by spots of kindled fire, the silence,

Like a phantom far or near an occasional figure moving,

The shrubs and trees (as I lift my eyes they seem to be stealthily watching me),

While wind in procession thoughts, O tender and wondrous thoughts,

Of life and death, of home and the past and loved, and of those that are far away;

A solemn and slow procession there as I sit on the ground,

By the bivouac’s fitful flame.

13
Hush’d Be the Camps Today

May 4, 1865

Hush’d be the camps today,

And soldiers let us drape our war-worn weapons,

And each with musing soul retire to celebrate,

Our dear commander’s death.

No more for him life’s stormy conflicts,

Nor victory, nor defeat—no more time’s dark events,

Charging like ceaseless clouds across the sky.

But sing poet in our name,

Sing of the love we bore him—because you, dweller in camps, know it truly.

As they invault the coffin there,

Sing—as they close the doors of earth upon him—one verse,

For the heavy hearts of soldiers.

14
O Captain! My Captain!

O Captain! my Captain! our fearful trip is done;

The ship has weather’d every rack, the prize we sought is won;

The port is near, the bells I hear, the people all exulting,

While follow eyes the steady keel, the vessel grim and daring:

But O heart! heart! heart!

O the bleeding drops of red,

Where on the deck my Captain lies,

Fallen cold and dead.

O Captain! my Captain! rise up and hear the bells;

Rise up—for you the flag is flung—for you the bugle trills;

For you bouquets and ribbon’d wreaths—for you the shores a-crowding;

For you they call, the swaying mass, their eager faces turning;

Here Captain! dear father!

This arm beneath your head;

It is some dream that on the deck,

You’ve fallen cold and dead.

My Captain does not answer, his lips are pale and still;

My father does not feel my arm, he has no pulse nor will;

The ship is anchor’d safe and sound, its voyage closed and done;

From fearful trip, the victor ship, comes in with object won;

Exult, O shores, and ring, O bells!

But I, with mournful tread,

Walk the deck my Captain lies,

Fallen cold and dead.

15
When Lilacs Last in the Dooryard Bloomed

1

When lilacs last in the dooryard bloomed,

And the great star early drooped in the western sky in the night,

I mourned, and yet shall mourn with ever-returning spring.

Ever-returning spring, trinity sure to me you bring,

Lilac blooming perennial and drooping star in the west,

And thought of him I love.

2

O powerful western fallen star!

O shades of night—O moody, tearful night!

O great star disappeared—O the black murk that hides the star!

O cruel hands that hold me powerless—O helpless soul of me!

O harsh surrounding cloud that will not free my soul.

3

In the dooryard fronting an old farm-house near the white-washed palings,

Stands the lilac-bush tall-growing with heart-shaped leaves of rich green,

With many a pointed blossom rising delicate, with the perfume strong I love,

With every leaf a miracle—and from this bush in the dooryard,

With delicate-coloured blossoms and heart-shaped leaves of rich green,

A sprig with its flower I break.

4

In the swamp in secluded recesses,

A shy and hidden bird is warbling a song.

Solitary the thrush,

The hermit withdrawn to himself, avoiding the settlements,

Sings by himself a song.

Song of the bleeding throat,

Death’s outlet song of life, (for well dear brother I know

If thou wast not granted to sing thou wouldst surely die.)

5

Over the breast of the spring, the land, amid cities,

Amid lanes and through old woods, where lately the violets peeped from the ground, spotting the gray debris,

Amid the grass in the fields each side of the lanes, passing the endless grass,

Passing the yellow-speared wheat, every grain from its shroud in the dark-brown fields uprisen,

Passing the apple-tree blows of white and pink in the orchards,

Carrying a corpse to where it shall rest in the grave,

Night and day journeys a coffin.

6

Coffin that passes through lanes and streets,

Through day and night with the great cloud darkening the land,

With the pomp of the inlooped flags with the cities draped in black,

With the show of the States themselves as of crape-veiled women standing,

With processions long and winding and the flambeaus of the night,

With the countless torches lit, with the silent sea of faces and the unbared heads,

With the waiting depot, the arriving coffin, and the somber faces,

With dirges through the night, with the thousand voices rising strong and solemn,

With all the mournful voices of the dirges poured around the coffin,

The dim-lit churches and the shuddering organs—where amid these you journey,

With the tolling tolling bells’ perpetual clang,

Here, coffin that slowly passes,

I give you my sprig of lilac.

7

(Nor for you, for one alone,

Blossoms and branches green to coffins all I bring,

For fresh as the morning, thus would I chant a song for you O sane and sacred death.

All over bouquets of roses,

O death, I cover you over with roses and early lilies,

But mostly and now the lilac that blooms the first,

Copious I break, I break the sprigs from the bushes,

With loaded arms I come, pouring for you,

For you and the coffins all of you O death.)

8

O western orb sailing the heaven,

Now I know what you must have meant as a month since I walked,

As I walked in silence the transparent shadowy night,

As I saw you had something to tell as you bent to me night after night,

As you drooped from the sky low down as if to my side, (while the other stars all looked on,)

As we wandered together the solemn night, (for something I know not what kept me from sleep,)

As the night advanced, and I saw on the rim of the west how full you were of woe,

As I stood on the rising ground in the breeze in the cool transparent night,

As I watched where you passed and was lost in the netherward black of the night,

As my soul in its trouble dissatisfied sank, as where you sad orb,

Concluded, dropped in the night, and was gone.

9

Sing on there in the swamp,

O singer bashful and tender, I hear your notes, I hear your call,

I hear, I come presently, I understand you,

But a moment I linger, for the lustrous star has detained me,

The star my departing comrade holds and detains me.

10

O how shall I warble myself for the dead one there I loved?

And how shall I deck my song for the large sweet soul that has gone?

And what shall my perfume be for the grave of him I love?

Sea-winds blown from east and west,

Blown from the Eastern sea and blown from the Western sea, till there on the priaries meeting,

These and with these and the breath of my chant,

I’ll perfume the grave of him I love.

11

O what shall I hang on the chamber walls?

And what shall the pictures be that I hang on the walls,

To adorn the burial-house of him I love?

Pictures of growing spring and farms and homes,

With the Fourth-month eve at sundown, and the gray smoke lucid and bright,

With floods of the yellow gold of the gorgeous, indolent, sinking sun, burning, expanding the air,

With the fresh sweet herbage under foot, and the pale green leaves of the trees prolific,

In the distance the flowing glaze, the breast of the river, with a wind-dapple here and there,

With ranging hills on the banks, with many a line against the sky, and shadows,

And the city at hand, with dwellings so dense, and stacks of chimneys,

And all the scenes of life and the workshops, and the workmen homeward returning.

12

Lo, body and soul—this land,

My own Manhattan with spires, and the sparkling and hurrying tides, and the ships,

The varied and ample land, the South and the North in the light, Ohio’s shores and flashing Missouri,

And ever the far-spreading prairies covered with grass and corn.

Lo, the most excellent sun so calm and haughty,

The violet and purple morn with just-felt breezes,

The gentle soft-born measureless light,

The miracle spreading bathing all, the fulfilled noon,

The coming eve delicious, the welcome night and the stars,

Over my cities shining all, enveloping man and land.

13

Sing on, sing on you gray-brown bird,

Sing from the swamps, the recesses, pour your chant from the bushes,

Limitless out of the dusk, out of the cedars and pines.

Sing on dearest brother, warble your reedy song,

Loud human song, with voice of uttermost woe.

O liquid and free and tender!

O wild and loose to my soul—O wondrous singer!

You only I hear—yet the star holds me, (but will soon depart,)

Yet the lilac with mastering odour holds me.

14

Now while I sat in the day and looked forth,

In the close of the day with its light and the fields of spring, and the farmers preparing their crops,

In the large unconscious scenery of my land with its lakes and forests,

In the heavenly aerial beauty, (after the perturbed winds and the storms,)

Under the arching heavens of the afternoon swift passing, and the voices of children and women,

The many-moving sea-tides, and I saw the ships how they sailed,

And the summer approaching with richness, and the fields all busy with labour,

And the infinite separate houses, how they all went on, each with its meals and minutia of daily usages,

And the streets how their throbbings throbbed, and the cities pent—lo, then and there,

Falling upon them all and among them all, enveloping me with the rest,

Appeared the cloud, appeared the long black trail,

And I knew death, its thought, and the sacred knowledge of death.

Then with the knowledge of death as walking one side of me,

And the thought of death close-walking the other side of me,

And I in the middle as with companions, and as holding the hands of companions,

I fled forth to the hiding receiving night that talks not,

Down to the shores of the water, the path by the swamp in the dimness,

To the solemn shadowy cedars and ghostly pines so still.

And the singer so shy to the rest received me,

The gray-brown bird I know received us comrades three,

And he sang the carol of death, and a verse for him I love.

From deep secluded recesses,

From the fragrant cedars and the ghostly pines so still,

Came the carol of the bird.

And the charm of the carol rapt me

As I held as if by their hands my comrades in the night,

And the voice of my spirit tallied the song of the bird.

Come lovely and soothing death,

Undulate round the world, serenely arriving, arriving,

In the day, in the night, to all, to each,

Sooner or later delicate death.

Praised be the fathomless universe,

For life and joy, and for objects and knowledge curious,

And for love, sweet love—but praise! praise! praise!

For the sure-enwinding arms of cool-enfolding death.

Dark mother always gliding near with soft feet,

Have none chanted for thee a chant of fullest welcome?

Then I chant it for thee, I glorify thee above all,

I bring thee a song that when thou must indeed come, come unfalteringly.

Approach strong deliveress,

When it is so, when thou hast taken them I joyously sing the dead,

Lost in the loving floating ocean of thee,

Laved in the flood of thy bliss O death.

From me to thee glad serenades,

Dances for thee I propose saluting thee, adornments and feastings for thee,

And the sights of the open landscape and the high-spread sky are fitting,

And life and the fields, and the huge and thoughtful night.

The night in silence under many a star,

The ocean shore and the husky whispering wave whose voice I know,

And the soul turning to thee O vast and well-veiled death,

And the body gratefully nestling close to thee.

Over the tree-tops I float thee a song,

Over the rising and sinking waves, over the myriad fields and the prairies wide,

Over the dense-packed cities all and the teeming wharves and ways,

I float this carol with joy, with joy to thee O death.

15

To the tally of my soul,

Loud and strong kept up the gray-brown bird,

With pure deliberate notes spreading filling the night.

Loud in the pines and cedars dim,

Clear in the freshness moist and the swamp-perfume,

And I with my comrades there in the night.

While my sight that was bound in my eyes unclosed,

As to long panoramas of visions.

And I saw askant the armies,

I saw as in noiseless dreams hundreds of battle-flags,

Borne through the smoke of the battles and pierced with missiles I saw them,

And carried hither and yon through the smoke, and torn and bloody,

And at last but a few shreds left on the staffs, (and all in silence,)

And the staffs all splintered and broken.

I saw battle-corpses, myriads of them,

And the white skeletons of young men, I saw them,

I saw the debris and debris of all the slain soldiers of the war,

But I saw they were not as was thought,

They themselves were fully at rest, they suffered not,

The living remained and suffered, the mother suffered,

And the wife and the child and the musing comrade suffered,

And the armies that remained suffered.

16

Passing the visions, passing the night,

Passing, unloosing the hold of my comrades’ hands,

Passing the song of the hermit bird and the tallying song of my soul,

Victorious song, death’s outlet song, yet varying ever-altering song,

As low and wailing, yet clear the notes, rising and falling, flooding the night,

Sadly sinking and fainting, as warning and warning, and yet again bursting with joy,

Covering the earth and filling the spread of the heaven,

As that powerful psalm in the night I heard from recesses,

Passing, I leave thee lilac with heart-shaped leaves,

I leave thee there in the dooryard, blooming, returning with spring.

I cease from my song for thee,

From my gaze on thee in the west, fronting the west, communing with thee,

O comrade lustrous with silver face in the night.

Yet each to keep and all, retrievements out of the night,

The song, the wondrous chant of the gray-brown bird,

And the tallying chant, the echo aroused in my soul,

With the lustrous and drooping star with the countenance full of woe,

With the holders holding my hand nearing the call of the bird,

Comrades mine and I in the midst, and their memory ever to keep, for the dead I loved so well,

For the sweetest, wisest soul of all my days and lands—and this for his dear sake,

Lilac and star and bird twined with the chant of my soul,

There in the fragrant pines and the cedars dusk and dim.

Table of Contents

- 1 I Hear America Singing
- 2 To a Locomotive in Winter
- 3 Aboard at a Ship’s Helm
- 4 When I Heard the Learn’d Astronomer
- 5 A Clear Midnight
- 6 A Noiseless Patient Spider
- 7 Miracles
- 8 The Dalliance of the Eagles
- 9 Beat! Beat! Drums!
- 10 Cavalry Crossing a Ford
- 11 Bivouac on a Mountain Side
- 12 By the Bivouac’s Fitful Flame
- 13 Hush’d Be the Camps Today
- 14 O Captain! My Captain!
- 15 When Lilacs Last in the Dooryard Bloomed